At first glance, Josh Hirt’s works of art look like they could be layers of paint or resin that have been oxidized by the hands of Father Time or by way of acids applied to the paint. And while they are in fact depictions of paint that have been weathered by decades of exposure to natural elements, Josh’s chosen medium is actually photography.

 

His abstract images are a culmination of his deep-rooted passion for the forgotten roadside relics of American life, appreciation for decaying architecture and his early career as a builder. Josh grew up building alongside his dad, learning the ropes of construction by way of creating custom boathouses and homes. Simultaneously, he was exposed to art, studying under his mom in her art studio. With this background, it isn’t any wonder how Josh came to be a professional artist and how he arrived at his current approach to mixed media art.

For the past decade, Josh has been sleuthing out abandoned automobiles that have been beautifully patinaed from decades of exposure to sun, rain, dirt and other natural elements. Utilizing a full-frame camera, macro lens and a keen eye, he captures the sinuous cracks, vibrant layers of paint and rust and striking undertones that have naturally revealed themselves over time. He transfers this image to a metal substrate, turning to his background in building to shape, cut, grind and weld the work and the custom-made metal frame.

The result is a completely unique piece of art that reveals the beauty and rich story of a bygone relic but in a contemporary way.

Q&A with Josh Hirt.

What inspired you to pursue art as a career?

My first jobs in life were working for my dad on his construction sites and assisting my mom in her art studio. Both of these nurtured and inspired my ability and desire to create art.

How did you get your start creating art?

My first venture into the art world was through the media of woodworking. I created custom furniture in my early 20’s.

What do you find most rewarding about your work?

The most rewarding moment for me with my mixed media art lies in the photographic element. The moment where I’m able to lose myself in the subject, through the lens.

What is the most challenging?

The most challenging part for me is the physical process of working with steel to create the designs that frame my work.

How has your work evolved over the years?

The work is always evolving in the way that one idea leads to another. I’ve gone from a functional woodworker to an abstract mixed-media metal artist. I’m always excited to discover what comes next.

Is there a particular piece you’re excited to introduce at the Celebration of Fine Art?

Some pieces I make once, others are small limited editions––no two exactly alike. How much I’m excited with the finished product drives the decision.
I’m working on a large-scale abstract piece that I’m looking forward to premiering at the show. It’s bold and reads well as a desert mountainscape.

What drew you to the Celebration of Fine Art?

The Celebration of Fine Art is one of the most exciting venues for creativity on display. And it’s right in my backyard. I can’t wait to be back.